Moline Memories

Friday, July 3, 2026

250 years later, Washington's warning about a nation without God still rings true.

 

250 years later, Washington's warning about a nation without God still rings true.

GlennBeck.com ^ | July 1, 2026


“Righteousness exalts a nation, but sin is a reproach to any people.” That Bible verse, found in Proverbs 14:34, is not a political slogan. It is a moral law of history. Nations rise when justice, truth, humility, courage, and reverence for God shape their public life. They decline when sin becomes normalized, truth is considered subjective, and liberty is severed from biblical virtue.

The founders of America understood this better than we realize.

After the Revolutionary War, George Washington wrote to the governors of the thirteen states and prayed that God would dispose Americans “to do justice, to love mercy,” and to imitate the charity, humility, and peaceable spirit of “the Divine Author of our blessed Religion.” Without that, Washington said, “we can never hope to be a happy nation.”[1]

In his first inaugural address, Washington acknowledged “the Invisible Hand” that had guided the United States. He warned that “the propitious smiles of Heaven” could never be expected to shine on a nation that disregarded “the eternal rules of order and right, which Heaven itself has ordained”—referring to the Bible.[2]

John Adams made the same point in different words. He believed the Bible contained “the most perfect morality” and was the only system capable of preserving a republic.[3]

Long before Washington and Adams, a Puritan pastor named Thomas Hooker helped shape America’s political imagination. In 1633, Hooker became pastor of a congregation near Cambridge, Massachusetts, and later helped establish Hartford, Connecticut. Studying Deuteronomy 1:13, where Moses instructed Israel to choose wise and understanding leaders, Hooker concluded that civil leaders should be chosen by the people. “The choice of public magistrates belongs unto the people by God’s own allowance,” he preached. “The foundation of authority is laid, firstly, in the free consent of the people.”[4]

Those ideas created the climate that led to the Fundamental Orders of Connecticut, often regarded as the first written constitution in the American colonies with a democratic tone. It is one reason Connecticut is still known as the Constitution State.

Another biblical text shaped the debate over liberty and authority—Romans 13:1, which teaches that governing authorities are instituted by God. On January 30, 1750, Jonathan Mayhew preached a sermon based on this verse titled A Discourse Concerning Unlimited Submission and Non-Resistance to the High Powers. He taught that government is accountable to God. When rulers fulfill their God-given role, they deserve respect and obedience. But when they become tyrants and oppressors, they violate the purpose for which government exists.[5]

John Adams later called Mayhew’s sermon “the catechism of the Revolution.” It gave many colonists a biblical framework for understanding resistance to tyranny.

Then came prayer. In September 1774, delegates gathered in Philadelphia for the First Continental Congress. Before beginning their work, they agreed to open in prayer and invited Jacob Duché, an Anglican pastor, to lead them. The previous evening, a frightening rumor had spread that British forces were shelling Boston. As Washington, Adams, Hancock, Henry, and others gathered in Carpenter’s Hall, Duché read the appointed Scripture reading for the day—Psalm 35: “Plead my cause, O LORD, with those who strive with me; fight against those who fight against me.”

John Adams later wrote to Abigail that he had never heard a better prayer. It seemed, he said, as though Heaven had ordained that Psalm for that morning.[6]

The American Revolution was not only fought on battlefields. It was also interpreted from pulpits. After the shots at Lexington and Concord, Pastor Jonas Clark looked to Joel 3, where God condemns the shedding of innocent blood. Seven members of his congregation had died near the church at Lexington. Their blood, he believed, testified to the seriousness of the hour. Clark reminded his people that however dark events appeared, God still ruled over nations. “An all-wise God is seated on the throne,” he said. That conviction steadied Americans through perilous days.[7]

When victory came at Yorktown, another biblical text came to the forefront. On October 20, 1781, the day after Cornwallis surrendered, chaplain Israel Evans preached to the American troops from 1 Samuel 7:12: “Hitherto the LORD has helped us.” Like Samuel raising his Ebenezer stone after victory, Evans called the army to remember that their help had come from God. America, he said, should learn her happiness as a nation from dependence on Almighty God.[8]

Winning independence was one thing. Framing a government was another. In 1787, the Constitutional Convention in Philadelphia seemed near collapse. At that moment, Benjamin Franklin, then eighty-one, rose and asked why they had not sought the help of “the Father of Lights.”

“I have lived, sir, a long time,” Franklin said, “and the longer I live, the more convincing proofs I see of this truth, that God governs in the affairs of men.” He cited Psalm 127:1: “Except the Lord build the house, they labor in vain that build it.”[9]

His motion for prayer did not formally pass, but the words hung over the convention. A few days later, Washington led delegates to a prayer service. Eventually, the Constitution emerged with its opening words: “We the People.”

James Madison later reflected that it was impossible for a thoughtful believer not to perceive in those events “a finger of that Almighty Hand.”[10]

Proverbs 14:34 contains both promise and warning: “Righteousness exalts a nation, but sin is a reproach to any people.” That truth applies to nations, but it also applies to individuals. Perhaps that is why my final story belongs not to a battlefield or convention hall, but to a deathbed. Alexander Hamilton, mortally wounded in his duel with Aaron Burr, asked for Christian counsel and communion. Presbyterian pastor John Mason spoke to him of Christ, quoting Acts 4:12: “There is salvation in no one else.”

Hamilton replied, “I have a tender reliance on the mercy of the Almighty, through the merits of the Lord Jesus Christ.” Before receiving communion from Bishop Benjamin Moore, Hamilton renounced his sins and embraced Christ his Savior. His last words to his wife were, “Remember, my Eliza, you are a Christian.”[11]

America’s hope has never rested ultimately in presidents, armies, constitutions, courts, or elections. These are not enough. The deeper question is moral and spiritual. Can a people remain free without righteousness? Can liberty endure without virtue? Can any nation disregard God’s eternal rules of order and right and still expect the smiles of Heaven?

Let me go back to my opening verse: “Righteousness exalts a nation. Sin is a reproach to any people.” No matter how advanced we may feel we are, we can never escape the truth of that ancient proverb.

Thursday, July 2, 2026

Flutist

 

Saturday, January 16, 2010

Growing Up Flutist




I played the flute for my overbite.

I tested high enough in music to be given an instrument to play. I wanted to play the drums, but my mother conspired with the authorities to have me play flute, to help my overbite. My sister already played the flute and my younger brother was cornered into playing the flute as well. "Drummers were a dime a dozen," and they needed flute players.

I learned to enjoy classical music and to appreciate the difficulties of group performance. Thanks to my mother's insistence, I had private lessons from Mr. Youngdahl, who died of cancer. His wife taught English at Moline High, instilling fear and trembling in all her students. Like Mrs. Emory at Garfield, she could and did smile, every so often. No one missed their love of teaching and their concern for their students. Mr. Hedrich also tried to improve my playing, and he was an excellent teacher.

I started flute in fourth grade, and no one attached a gender to the instrument. A few years later, I was taunted, "You have to sit with all the girls." That lasted a relatively short time.

Later they said, "You get to sit with all the girls." And I did, through high school and into college. But there, at Augustana, flutists were a dime a dozen and I got to be a spare in the percussion section. I played my father's Depression era beer glasses in Carmina Burana's In Taberna. On tour, the kids thought I was a real star in the section, while the percussionists growled at putting up with a no-talent interloper. The band director, Opheim, loved the glasses. They broke during one concert, and my musical career was shattered.

Tuesday, June 30, 2026

Church Mouse Enjoyed Our Blog!

 

Saturday, September 24, 2011

ChurchMouse, from Britain, Likes Moline Memories


churchmousec (http://churchmousec.wordpress.com/) has left a new comment on your post "Moline Memories - MHS 66 Friends: Mike Collins - O...":

What a great blog -- hope you keep Moline Memories going after reunion. Have only tuned in today ...

Enjoy your 45th reunion. Have a great time next weekend!

Churchmouse

Monday, June 29, 2026

Larry Easter - MHS 1966 - Was Gifted in Music.
Christine and I Enjoyed Larry's Visit in Phoenix

 

Sunday, January 17, 2010

Linn County - Larry Easter - Iowa Rock N Roll Hall of Fame




Larry Easter is in the upper left corner.


Larry Easter achieved some fame in Linn County. They received an award not too long ago. The story is posted below.

Here is a link to their music.

Wikipedia.

Album cover.

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Iowa Rock N Roll

The Prophets/Linn County

Inducted Members:Stephen Miller, Dino Long, Fred Walk, Larry Easter, Al Hendricks, Ron DeWitte, Perry Welsh, Tommy(T-Bone)Giblin, Ed Adkins, Tom Krejci, John Cabalka, Bob Miskimen, Joe Eberline,Clark Pierson and Jerry(Snake) McAndrew
Home Town:Cedar Rapids, Iowa


Linn County had its roots in Cedar Rapids, Iowa with Danceland and Armar Ballrooms providing a meeting place for musicians.

Linn County emerged out of groups such as the Bopcats with Floyd (Al) Hendricks, Kenny Thompson and Bob Schloss. Kenny formed the Prophets with Stephen Miller (keyboards) of Cedar Rapids, Ron Lustic (reeds) also of Cedar Rapids and Jerry (Snake) McAndrew (drums) from Chicago in the early mid-sixties. Eventually, Kenny became the manager, Ron left and Fred Walk (guitar), of Webster, Ia., who had also played in a group with Floyd Hendricks, and Bob Miskimen (Bass) were added. Soon, Larry Easter (reeds) of Davenport, Ia. joined the group.

The Prophets played primarily R&B and Rock in clubs around the Midwest, working out of the Twilight Room and the Cougar Lounge in Cedar Rapids, Jimmy’s Lounge in Waterloo, as well as many ballroom, College and University dates. During this time, Bob Miskimen left and was replaced by Dino Long of Spencer, Ia.

The group then moved to Chicago, changed its name to the Linn County Blues Band, since all of the members had played in Cedar Rapids at some time. They soon became the house band at the famous Mother Blues club on Wells Street, following the path of Spanky and Our Gang and The Paul Butterfield Blues Band while sharing the stage with Muddy Waters, Buddy Guy, Junior Wells, Howling Wolf, James Cotton, and many others.

John Cabalka, a friend and artist from Cedar Rapids, who was working in Chicago for Mercury Records, assumed the role of manager with Ed Adkins of Cedar Rapids as road manager. The band signed with Dunwich Records of Chicago and were working on an LP at Chess Studios when Mercury discovered them, bought their contract, and signed them. Mercury asked them to shorten the name to Linn County to avoid the stigma, at that time, of being type-casted as a blues band.

Mercury then moved the band from Chicago to San Francisco to live and record.

Jerry McAndrew left the group and Clark Pierson was added. Linn County was the only band with Iowa roots to play such venues as The Avalon Ballroom, Fillmore West, The Matrix, (San Francisco) The Bank (Los Angeles) Thee Experience (Hollywood) Fillmore East & The Scene, (New York City) The Grande Ballroom (Detroit) as well as clubs and concert venues in Montreal, Cleveland, Chicago, Sacramento, and Pittsburgh etc. Linn County, to this date, also signed the highest paying recording contract of any group from Iowa: the group was paid approximately $50,000.00 to sign with Mercury Records – an enormous sum in the mid ‘60’s when most groups had to pay the record company in order to record!

After three albums recorded in the Bay Area and Los Angeles, a solo album by Stephen, and extensive touring in the early 70’s Stephen left the band to record and tour with Elvin Bishop. Clark recorded and toured with Janis Joplin and the remainder of the Linn County tried different combinations of personnel and played around the California area until the band briefly dissolved in the early 70’s.

Stephen Miller moved to the Lisbon, Ia. in 1974 and reformed Linn County with Ron Dewitte (guitar) Perry Welsh (mouth harp) Johnny (Ace) Acerno (bass) Joe Eberline (later replaced by Walter Salwitz) on drums. Tom Krejci, a Cedar Rapids entrepreneur, assumed manager duties. Later, Stephen left to tour and record with Grinderswitch on Capricorn Records and Tommy Giblin, another Cedar Rapidian (organ) was added. This group played extensively in the Cedar Rapids- Iowa City area as well as major cities in the Midwest with great success and popularity. Linn County finally disbanded in 1977.

Many of the members of Linn County have continued to play, write and record with other groups. All the members were part of a very unique band that had an impact on many musicians and fans from the middle sixties until the mid- seventies across the USA and Canada.

February 3rd - The Day the Music Died: Davenport Was Part of the Tour

 

Sunday, January 31, 2010

February 3rd - The Day the Music Died:
Davenport Was Part of the Tour




On February 3rd, 1959, a small plane took off in a winter storm and crashed immediately, killing Buddy Holly, J. P. Richardson (The Big Bopper), Ritchie Valens, and the pilot.

On a Winter Dance Tour, their last concert was at Clear Lake, Iowa, near Mason City, hometown of the Music Man, Meredith Wilson.

Holly's early death was especially tragic, because he was a musical pioneer with great talent and a young wife. She was expecting but lost the child.

Don McLean coined the term the day the music died in his song "American Pie." The song became a perennial hit, encouraging the fad of inexplicable lyrics. One attempt to decode the song is located here.

Holly's songs are classic pop, simple and evocative.




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Dave Coopman has left a new comment on your post "February 3rd - The Day the Music Died":

The Winter Dance Tour played the Capitol Theater in Davenport on January 29, 1959. It was sponsored by KSTT, and for this appearance it was called the Concert of Stars, since it was the only venue where dancing could not take place. There was an ice storm in the Quint Cities that night, but the show was still sold out.

Strangely, no pictures of that night have ever turned up. There must be some somewhere.

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https://fiftiesweb.com/music/crash-report/

Sunday, June 28, 2026

Proud of Our Town and Our Veterans

 

Thursday, November 10, 2011

Proud of Our Town and Our Veterans

Kathy Wilcox Kapetanakis provided the Norton prints.
This is the Arsenal Clock Tower.



In reading over many biographies from our class I was struck by how many served in the military, some as a career, and worked at the Arsenal.

Many classmates are posting photos of their family members who served. The photo below expresses thoughts of many about those who were lost in warfare.

Friday, June 26, 2026

Garfield Gashouse Gang

 


Garfield Gashouse Gang





Front row from left: Jeff Hall, George Small, unknown girl, unknown boy, unknown girl, Steve Hall, Linda Wiley, Greg Jackson. Middle row: Kathleen Wilcox, unknown boy, Mary Gail Laverenz, Perry Hobart, unknown girl, unknown boy, unknown girl, Billy Black. Back row: Ann Pascall, Carol Murrell, PhD, Greg Keller, Jane Rosborough, Terry Carlson, unknown girl, unknown girl, Ann Rizor I think, Sally Swanson. Corrections are welcome, including spelling.


Mr. McAllister, at John Deere Junior High, called us the Garfield Gashouse Gang. He said we were not like any other grade school kids going into junior high. We had a unity and spirit that drew us together.

Three of us, all friends, went to Yale. Larry Eyre went to Yale College and Yale Divinity. I went to Yale Divinity. Ann Johnson went to the Yale School of Music. At our 40th reunion she was playing music in Germany.*

Bruce Johnson and Larry Eyre seemed to clean up the awards when graduating from Moline High School.

My mother taught at Garfield for many years. She said our class was one of the smartest she ever taught. She meant the whole cohort - three sixth grade classes that year. She had one. Miss Maynard had one. Liz Copeland's mother, Mary, had the other class.

Mrs. Hallie Emory was one of our fifth grade teachers. She was strict, organized, and a great teacher. One basilisk stare from her could paralyze anyone. She made it clear that physical punishment was always an option. She liked to pinch the trapezius muscle, as debilitating as the future Vulcan death-grip.

We had wonderful teachers at Garfield: Mrs. McMillen, Mrs. Parks, Mrs. Woods, Mrs. Emory. One was famous for her great singing voice (name?). My mother was enormously popular with students and parents, especially those parents whose children changed under her discipline. She preferred the knuckle-knock on the head, seldom used but always effective.

When one student spit at another student, my mother said, "Spit on my hand." He said, "Why?" She said, "Nevermind, spit." She got a good handful and rubbed it all over his face. The same student (name withheld) said, more than 40 years later: "Write a book about your mother. She was a remarkable teacher."

*"After graduating from Yale, Charles Deere Wiman returned to Moline to take over the reins of Deere & Company from his uncle, William Butterworth."